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var txt1 = 'Jean-Philippe Antoine
Philosopher and artist, Jean-Philippe Antoine teaches aesthetics at the Université Jean Moulin - Lyon 3 in Lyon. He recently published Gerhard Richter.Landscapes (Zwirner & Wirth, New York, 2004) and Six rhapsodies froides sur le lieu, l’image et le souvenir (Desclée de Brouwer, Paris, 2002), and wrote the preface for the new edition of Lois de l’’imitation by Gabriel Tarde (Le Seuil, “Les empêcheurs de penser en rond”, 2000). He participated in the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt2 = 'Olivier Assouly
Olivier Assouly studied under Jacques Derrida for his Masters (DA) in 1992 at the Ecole des Hautes Etudes en Sciences Sociales. He then went on to teach philosophy from 1996 to 2002. In addition to the numerous articles he has written on fashion and gastronomy most notably in the Beaux-arts magazine and other specialized magazines, he has written two books on eating practices and behavior : Les Nourritures divines. Essai sur les interdits alimentaires (Actes Sud, 2002) and Les Nourritures nostalgiques. Essai sur le mythe du terroir (Actes Sud, 2004). He has also edited a collective work Le luxe. Essais sur la fabrique de l’ostentation (Luxury products. Essays on the manufacture of ostentation) (IFM/Regard). He joined the IFM in 2003 and is currently head of Research, Publishing and the Library and Information Center. ';
var txt3 = 'C.J Berry
Christopher J. Berry is a professor in Politoical Science at Glasgow University and is the author of : The Idea of Luxury, (Cambridge, 1994) and Social Theory of the Scottish Enlightenment (Edinburgh, 1997). He has also published numerous articles on the history of intellectuals and political science. He contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt4 = 'Eugénie Briot
Eugénie Briot is a doctor at the Centre national des arts et des métiers (CNAM), she contributed to the Mode de recherche n°2 with an article entitled « Le patrimoine des industries de luxe : Bernardaud et Baccarat à l’heure de la revalorisation » (Heritage of the luxury goods industry : Bernaudaud and Baccarat making the most of heritage). ';
var txt5 = 'Alberto Capatti
Alberto Capatti is editor of the monthly magazine Slow of the international Slow food association, which is translated into six languages. He participated in the catalogue of the Bibliothèque Nationale Livres en bouche (Hermann éditeur, 2001) and along with Massimo Montanari published La cuisine italienne, histoire d’une culture (Seuil, 2002). He is didactic and scientific consultant at the New University of gastronomic science at Pollenzo and Colorno. He contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt6 = 'Ségolène Ferrand
A graduate of the Ecole Normale Supérieure (Literature) and the ESSEC (Semiology) and a Masters in American Literature at the Sorbonne, Ségolène Ferrand is Head of communications at the IFM. Before joining the staff of the IFM she was an International Product Manager at L’Oréal Produits de Luxe and now teaches a part of the IFM’s Management Program dealing with perfume and cosmetic marketing. She also contributes to the research activities of the institute. Her area of expertise is the imaginary universe that surrounds brands, the creative world and the interactions between culture and design in contemporary society. ';
var txt7 = 'Alain Findeli
Alain Findeli, is an engineer with a PhD in aesthetics (Du Bauhaus à Chicago : les années d’enseignement de Laszlo Moholy-Nagy (1937-46)), and is a professor at the Ecole de Design Industriel de la Faculté de l’aménagement at the University of Montréal and has been scientific and teaching director of the research Masters « Design et Complexité » since 2000. He contributed to Mode de recherche n°1. ';
var txt8 = 'Stéphane Haber
Stéphane Haber is a lecturer in philosophy at the Université de Besançon, specialising in contemporary questions of moral, social and political theory. He has published Habermas et la sociologie (PUF, 1998) ; Habermas, une introduction (La Découverte/Pocket, 2001) ; Le vocabulaire de l’école de Francfort (avec Y. Cusset, Ellipses, 2002) ; he was coordinator of L’action en philosophie contemporaine, (Ellipses, 2004). He also contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt9 = 'Benoît Heilbrunn
Benoît Heilbrun is a philosopher and semiologist by trade and is now a marketing lecturer at the ESCP-EAP. He has written Le logo (Que sais-je, PUF, 2001), co-written L’ABCdaire du design (Flammarion, 2003) and coordinated La performance. Une nouvelle idéologie ? (La découverte, 2004). He also participate in the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt10 = 'Gilles Marion
Gilles Marion has a doctorate in management science and is a lecturer at the EM Lyon, he has published numerous academic articles on marketing, fashion and communications. He was the coordinator of L’anti-manuel de marketing and wrote Idéologie marketing (Eyrolles, 2004). He participated in the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt11 = 'Selvane Mohandas du Ménil
A graduate of HEC the IFM, Selvane Mohandas du Ménil contributed to Mode de recherche n°3 with the article « La critique de l’ostentation appliquée à la marque de luxe ». ';
var txt12 = 'Pascal Morand
Pascal Morand is a graduate of HEC and has a Ph.D. in economic science, he has been the Director of the IFM since 1987. He also teaches at the ESCP-EAP. He is also administrator at the École Nationale Supérieure des Arts et Industries Textiles (ENSAIT), the École Nationale Supérieure de Création Industrielle (ENSCI), the Institut Supérieur Textile d’Alsace (ISTA), the Union Française des Arts du Costume (UFAC), the Association Nationale pour le Développement des Arts de la Mode (ANDAM), and a member of the Comité d’orientation du Centre d’Observation Économique (COE/Chambre de Commerce et d’Industrie de Paris) and the Comité de pilotage de la Foire Internationale d’Art Contemporain (FIAC). He is the author of numerous articles and books on the textile and fashion economies, the international economy and the links between culture and economics which includes a 2001 essay on the economic and monetary Union : La victoire de Luther : essai sur l’union économique et monétaire (Maison des Sciences de l’Homme/Vivarium, 2001). ';
var txt13 = 'Alka Pande
Alka Pande is a specialist in India and art history, she is a university lecturer and curator at the « India Habitat Centre » in New-Delhi, she has also published numerous articles and books including From Mustard Field to Disco Lights – Folk Music and instruments of Punjab (Mapin, 1999), Kamasutra (Roli Books, 2001) and India Erotica (Roli Books, 2000). She wrote an essay for the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt14 = 'Stéphane Panneckouke
Stéphane Pannechouke is a history lecturer and assistant at the Université Paris I, and he is currently working on a doctorate on the Governers of Burgundy in the 18th century. He published « Chantilly et ses princes : des Lumières à la Révolution », (Versalia, Revue des Amis de Versailles, n° 5, 2002) and « La vie municipale bourguignonne vue de Chantilly. Le champ d’action de Louis-Joseph de Bourbon-Condé, gouverneur de Bourgogne (1754-1789) », (Annales de Bourgogne, tome 75, juillet-septembre 2003). He participated in the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005).';
var txt15 = 'Audrey Provost
Audrey Provost has a doctorate in history and her doctoral thesis was entitled « Les usages du luxe : formes et enjeux des publications sur le luxe en France dans la seconde moitié du XVIIIe siècle (vers 1760-1789) ». She currently works on cultural and political history and published « Langage, culture et société : la question du luxe en Grande-Bretagne dans la seconde moitié du XVIIIe siècle », in Histoires d’Outre-Manche (Presses de l’Université Paris-Sorbonne, 2001). She contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005).';
var txt16 = 'Alain Quemin
Alain Quemin is currently sociology professor at the Université de Marne-la-Vallée, where he is in charge of the DESS in luxury industry and art management. He has published Les commissaires-priseurs : la mutation d’une profession (Anthropos-Economica, Paris, 1997) and L’art contemporain international : entre les institutions et le marché, (Nîmes/Lyon, Jacqueline Chambon/Artprice, 2002). He contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt17 = 'Laurent Raoul
Laurent Raoul is a graduate of the Institut National Polytechnique de Grenoble in industrial information technology and of the Institut Textile de France, he has worked as mission director at the Centre de Prospective du Ministère de la Recherche, was head of the Technology Department at the IFM from 1986 to 1992, and then Industrial Director at Thierry Mugler. He is currently a consultant engineer and associate of the company XL Conseil, and is in charge of teaching Supply Chain Management and information systems at the IFM. ';
var txt18 = 'Bruno Remaury
Bruno Remaury has a doctorate in social sciences and a degree in the Applied Arts, he is Editor of the IFM/Regard book collection and is a lecturer in brand content at the IFM. He is also a consultant on questions linked to brand identity and has written a number of books including Le beau sexe faible (Grasset, 2000) and Marques et récits. (IFM/Regard, 2004). ';
var txt19 = 'Françoise Sackrider
François Sackrider has a DEA in Management Science from the University of Paris XII and is a graduate of the IFM, she is currently head of the Fashion and Design Management Postgraduate Program. As a lecturer, her area of expertise is distribution marketing and merchandising and she is co-author of the book Lèche-vitrines, le merchandising visuel dans la mode (IFM-Regard, 2003). In addition, she has carried out a number of market surveys on consumption and distribution in the clothing industry for companies in the sector. ';
var txt20 = 'Michelle Sapori
Michelle Sapori is a historian with a doctorate from the University of Orléans where she works on the fashion trade in the 18th century. She has published Rose Bertin. Ministre des modes de Marie-Antoinette (IFM/Regard, 2004) which deals with the links between the fashion market and power. She also contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
var txt21 = 'Marie-Claude Sicard
Marie-Claude Sicard is a lecturer at CELSA (Paris IV-Sorbonne) where she teaches communication science applied to brands, she is also the author of Ce que marque veut dire (Editions d’Organisation, 2001), Luxe, mensonges & marketing (Village Mondial, 2003), and is currently working on Marques : les ressorts cachés du désir. She contributed to the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005) and Mode de recherche n°2. ';
var txt22 = 'Geneviève Teil
Geneviève Teil is a researcher at the INRA, and works mainly in the area of the trade and circulation of quality and luxury products, consumer taste and recommendations linked to consumption. She has written De la coupe aux lèvres - Pratiques de la perception et mise en marché des vins de qualité (Editions Octarès, Collection Applications de l’anthropologie, Toulouse, 2004), and she participated in the collective work Le luxe. Essais sur la fabrique de l’ostentation (IFM/Regard, 2005). ';
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